Perpetually awkward Nima Kumara-Clark is bored with her insular community of Bridgeton, in love with her straight girlfriend, and trying to move past her mother’s unexpected departure. After a bewildering encounter at a local festival, Nima finds herself suddenly immersed in the drag scene on the other side of town.
Macho drag kings, magical queens, new love interests, and surprising allies propel Nima both painfully and hilariously closer to a self she never knew she could be—one that can confidently express and accept love. But she’ll have to learn to accept lost love to get there.
I love this book for all of the own voices elements and the loving depiction of drag, but it doesn’t escape some first book shakiness.
- The book is own voices for lgbtqia+, POC, and drag king rep. Huzzah!
- Nima’s father is awesome, never a given in YA. He’s absent later in the book so she can do her thing, which is more usual, but yeah. At least he’s awesome.
- Diedre is a fairy godmother of a drag queen. It toes the line of believability for me, but I know there are good people in the world like this, helping queer kids find their way.
- The drag scenes jump off the page. I could read Boteju describing drag shows all day, they’re so full of joy and energy.
- I love love love that Nima is questioning her sexuality throughout the book. Literature often looks at coming out, completely skipping any questioning phase. The only other book I’ve read with decent questioning rep is Dress Codes for Small Towns, but I’m hoping for more. (The recent release Red, White, and Royal Blue has good questioning rep, I’ve been told.)
- The characters are diverse in race, gender, and sexuality. One disabled character has a one page, non-speaking appearance.
- The plot doesn’t tie up every thread neatly. It will annoy some, I’m sure, but it feels true to life. A 17-year-old figuring out her sexuality, connecting with family, trying drag for the first time, and falling into a perfect romance, all in the course of one summer? Not happening. I was fine with the loose ends but your mileage may vary.
- It’s a debut and feels like it. The plot, especially, has clunky points in need of polish.
- A bunch of this is me coming to YA as an adult reader, but I have a hard time when teenagers make obviously stupid decisions and we have to cringe through both the act and the consequences. Here someone decides that getting smashed at a party would be a cool thing to do, and I quickly pushed through that part to get to the other side. I get that young people can get a lot from reading these scenes, and that seeing the results on the page is much better than experiencing them in real life, but that doesn’t make me cringe any less.
All in all Kings, Queens, and In-betweens is a fun read. Normally I would sell a three star read back to the used bookstore, but I’m keeping this one on hand so I can hopefully give it to the right person at the right time.