Emily knew there would be strings attached when she relocated to the small town of Willow Creek, Maryland, for the summer to help her sister recover from an accident, but who could anticipate getting roped into volunteering for the local Renaissance Faire alongside her teenaged niece? Or that the irritating and inscrutable schoolteacher in charge of the volunteers would be so annoying that she finds it impossible to stop thinking about him?
The faire is Simon’s family legacy and from the start he makes clear he doesn’t have time for Emily’s lighthearted approach to life or her endless suggestions for new acts to shake things up. Yet on the faire grounds he becomes a different person, flirting freely with Emily when she’s in her revealing wench’s costume. But is this attraction real, or just part of the characters they’re portraying?
I was excited to read this book after hearing some wonderful reviews, but I have to admit, for the first 40% I was wondering what the fuss was about.
The beginning is all first book awkwardness, the scaffolding of an enemies-to-lovers romance bare and hanging in the wind. Simon is shown as an arse early and often, and other plot elements are predictable. The love triangle fake out dude, the reason Simon’s brother left – all incredibly obvious, at least to me.
But once the Ren Faire starts, look out! Simon’s character, a swashbuckling pirate, is out to woo Emily’s character, a tavern wrench. Sparks fly, but as soon as they get out of their costumes it’s back to the bickering status quo.
These two have plenty of stuff happening in their real lives – Emily was recently dumped in an ugly way by her near-fiancee, and Simon feels like his life has been set into motion for him with no choice but to go with the flow. The Faire lets them shed the baggage, but the real trick is working through that emotional load once the festival is over.
There’s a lot to like – competence porn, fun secondary characters, grand gestures, and good grovel when it’s required. Hot sex, dramatic human chess match scenes, and people talking through their problems? All here.
I wasn’t a fan of Emily’s thinking near the end, though. She’s suddenly riddled with misgivings, questioning and misinterpreting every little thing that’s said to her by both Simon and others. I’ve encountered this in several romances recently so I may be more sensitive to it, but I’m not a fan of driving conflict by having the heroine think, ‘he doesn’t love me after all’ after a single stray comment. The women are strong until they get buried in self-doubt. Gah.
Still, this is a strong showing for a debut. I’m looking forward to the next book in the series – several of the secondary characters are due their own Happily Ever Afters, methinks.
Thanks to Berkley and Edelweiss for providing a review copy.