Most debutantes dream of finding a husband. Lady Pandora Ravenel has different plans. The ambitious young beauty would much rather stay at home and plot out her new board game business than take part in the London Season. But one night at a glittering society ball, she’s ensnared in a scandal with a wickedly handsome stranger.
After years of evading marital traps with ease, Gabriel, Lord St. Vincent, has finally been caught-by a rebellious girl who couldn’t be less suitable. In fact, she wants nothing to do with him. But Gabriel finds the high-spirited Pandora irresistible. He’ll do whatever it takes to possess her, even if their marriage of convenience turns out to be the devil’s own bargain.
This book got a lot of buzz when it was announced because Gabriel is the son of Evie and Sebastian, the couple from Kleypas’ amazing Devil in Winter. Is this one on the same level? Not quite, but I still think it’s the best Ravenel book so far.
- The first half of the story, our couple’s meet cute and courtship, is awesome. I was getting ready to give the book four stars, I love it so much.
- The whole ‘thou shalt have kids because we need an heir/it’s the thing to do/you’re a woman’ thing doesn’t even come up. Heck, Pandora doesn’t even want to get married, to start.
She didn’t want to belong to anyone, and she especially didn’t want anyone to belong to her… she knew she would never be happy in a conventional life.
Unconventional women for the win.
- Prior characters are woven into the story in a way that doesn’t distract or detract from the main storyline. Evie and Sebastian are as wonderful as I remembered, and having a department story magnate in the family proves as helpful as one would imagine.
- Related – some minor characters reappeared, and it looks like one may get her happily ever after in the next book. Oo.
- Overall the book is a fast, fun read, busting me out of a reading slump. Woot.
- Pandora is an ‘artsy’ imaginative type, not well suited to strict rules or remembering where she left things. She strikes me as a (loose) Anne of Green Gables type – prone to flights of fancy with strong underpinnings of smarts. It doesn’t bother me but if you don’t like that sort of thing you’re warned.
- Hmmm, now to think of it Gabriel is kind of a Gilbert type in a roundabout way… time to reread Anne of Green Gables!
- Kleypas does this thing in a lot of her books where the couple gets married or is otherwise together before the 70% mark of the book, so she puts one or the other in mortal danger. Railway accidents, attacks, it could be anything, but someone is going to have a brush with death before the end. I have to admit, after half a dozen books I’m sick of it. Sometimes it’s worked into the story well but here it’s more random and annoying. Gah.
- The cameos and throwbacks mean that characterization is a bit thin for minor characters, and I’m not sure how the book would read as a stand-alone.
- Drago(n), who I think is a new character for this book?, is grossly underdeveloped. His relationship with Pandora could be amazingly nuanced and deep, but instead we watch his opinion of her change after a conversation and a half. I wanted more.
After being somewhat disappointed with the first two books in this series Devil in Spring is a nice pick me up, and I’m looking forward to the next installment.