Peter Darling by Austin Chant

33358438Ten years ago, Peter Pan left Neverland to grow up, leaving behind his adolescent dreams of boyhood and resigning himself to life as Wendy Darling. Growing up, however, has only made him realize how inescapable his identity as a man is.

But when he returns to Neverland, everything has changed: the Lost Boys have become men, and the war games they once played are now real and deadly. Even more shocking is the attraction Peter never knew he could feel for his old rival, Captain Hook—and the realization that he no longer knows which of them is the real villain.


This is the second book by Chant I’ve read and I think I love it even more than the first.

The good:

  • This is a trans story written by a trans writer – huzzah own voices!
  • I love how Neverland lets Peter be most himself and how it relates to the romance in the story.
  • I know next to nothing about Peter Pan but it didn’t matter.  I’m guessing that if you’ve read the original there are parallels and references but I didn’t feel like I was missing anything.
  • One of fiction’s most powerful side effects, I think, is experiencing life as someone utterly unlike yourself.  I’ve read about body dysphoria in a non-fiction sense but feeling what Peter goes through makes it more clear than any informative article could.
  • The writing is just what it needs to be – exciting during the adventure parts, romantic during the “oh wait maybe this is love” parts, and held together with a solid plot.  It’s utterly different from Coffee Boy but Chant switches gears seamlessly.

The not-so-good:

  • While the book fits its pages I wanted so much more than a novella.  I don’t know if Chant writes as this length because it’s comfortable but I think he could blow us away with double the space to run around in.

A fun read that took me away from the crazy of real life just when I needed it.  A must for anyone who’s into LGBTQIA+ reads or retellings.


The Girl in the Tower by Katherine Arden (Winternight Trilogy #2)

34050917The magical adventure begun in The Bear and the Nightingale continues as brave Vasya, now a young woman, is forced to choose between marriage or life in a convent and instead flees her home—but soon finds herself called upon to help defend the city of Moscow when it comes under siege.


I was worried this wouldn’t be as good as The Bear and the Nightingale but you know what? I think I like this one better.

If you liked the slow set up and epic scale of the first book you may be disappointed, as there isn’t as much here.  Instead we have Vasya off on an adventure, seeing new places and meeting all kinds of people.  Even so Arden reintroduces us to characters in a gentle, non-jarring way, making it easy to follow the story even if you’ve forgotten who is who.

While some parts made me cringe – Vasya is young and makes her share of foolish mistakes – they’re in character and part of her development.  The only regrettable part for me is when she runs headlong into danger near the end.  I get the reason, and in a twisted way it was a smart thing to do, but it was a little too close to heroine bait/meaningless self-sacrifice for my liking.

Morozko is my favorite character and we get a lot of time with him here.  Everyone else, from Vasya’s siblings on down to servants is fleshed out and well characterized.

There’s no slump in Arden’s sophomore effort and I eagerly await the last book of the trilogy.

The Star King by Susan Grant (Star #1)

35805990Years ago, Air Force pilot Jas Boswell believed she met the love of her life. She shared a mesmerizing encounter with a stranger after a terrible crash. As soon as rescuers arrived, the mysterious golden-eyed man disappeared. She has spent the last two decades trying to convince herself it was all a dream…

Once heir to a galactic kingdom, Rom B’kah is captain of a starship of derelicts and smugglers. He remains haunted by the memory of the “saving angel” he met during wartime and who vanished without a trace. His loyal crew thinks he has pined for this fantasy woman long enough. Then Jas suddenly returns to him and sets their lives on a collision course with destiny…


I was hooked early on but as the story developed I lost interest and got more and more annoyed.

The good:

  • The world building early on is well done and kept me curious about what this Earth was like and who the aliens who want to visit are. The story is contained and moves at a good pace.
  • At the beginning Jas’ development as a character is realistic and interesting.  She works hard to learn an alien language from scratch and while she’s a quick study Grant lets her grasp for words and speak awkwardly.  As someone who lives and interprets in a second language learned as an adult I can totally relate.

The not-so-good:

  • Once the action moves off Earth and into space the tightness of the world and plot fall apart.  The setting is expanded tenfold with all kinds of planets and peoples and things to take in, losing what groundedness it had.
  • Jas gets an case of being too stupid to live.  Rom leaves her to wait in a hotel with all kinds of warnings – keep your hood up so people don’t realize you’re from Earth, don’t stray far, oh and here’s a bodyguard to keep you safe.  So of course Jas immediately talks to random people and accepts their invitation to go up to a remote mountain retreat because, something.  And when they give her a necklace that freaks the hell out of birds she doesn’t get suspicious, just thinks ‘ah, silly birds, scared of a benign piece of jewelry.’ Gah.
  • While early on Jas’ language acquisition is within the realm of suspendable belief later she’s all, ‘I’m picking up this completely different alien tongue just by eavesdropping on conversations for a few days’.  Maybe if she was with three year olds or something, but high-level political conversations when you don’t know the grammar or how to read it?  I call bull.
  • The hero and heroine have sex on the top of a giant snail.  For real.  It’s the sort of thing that could be amazing in a crazy way if done right but I’m not even sure why the scene is there.

If the second half were as good as the first this would be an amazing read but alas, I don’t even think I’m going to pick up the next in the series.

Down Among the Sticks and Bones by Seanan McGuire (Wayward Children #2)

31450908This book languished on my to be read list for a long time, but not because I was putting it off.  On the contrary, I thought about picking it up constantly but was looking for the “right” moment.  A moment I needed an escape, a moment long enough to devour 189 pages in one sitting, a moment I could be quiet and sink into the world McGuire introduced in Every Heart a Doorway.  Those moments lined up on an evening in late December – add a proper cup of chai and you have a near perfect escape.

The Wayward Children series is about children who fell into other worlds via some sort of portal (think Alice in Wonderland or Narnia) and, for whatever reason, eventually found their way back to the real world. This is a happy thing for some but twin sisters Jack and Jill have a… let’s call it a complicated relationship with both the realm they grew up in and and the realm they slip into.

I don’t want to give anything away so I’ll end the particulars there.  I’m a fan of McGuire because she builds worlds right under your nose, no info dumps required.  The narrator is not part of the story, not really, but relating it to the reader.  It’s a remove that lets McGuire talk to us directly – we’re all around a campfire, hanging on her every word.

There are moments that change everything, and once things have been changed, they do not change back.  The butterfly may never again become a caterpillar… [the girls] will never again be the innocent, untouched children who wandered down a stairway, who went through a door.

They have been changed.

The story changes with them.

I highlighted many passages from Doorway for this reason, but fewer in Sticks and Bones.  On the whole this book is more solid and assured in its plotting and length but I still liked it a touch less than the series opener.  The message – we should let kids be who they are and not impose gender or other roles upon them – is awesome, and I appreciate that there is LGBTQIA+ representation (f/f relationship), but it hasn’t stuck with me as much as I hoped.

Fear not because the next installment, Beneath the Sugar Sky, comes out in a few weeks.  I’ll keep my chai close at hand, ready for that elusive perfect moment.

Beauty by Robin McKinley

23377543Beauty’s wealthy father loses all his money when his merchant fleet is drowned in a storm, and the family moves to a village far away. Then the old merchant hears what proves to be a false report that one of his ships had made it safe to harbor at last, and on his sad, disappointed way home again he becomes lost deep in the forest and has a terrifying encounter with a fierce Beast, who walks like a man and lives in a castle. The merchant’s life is forfeit, says the Beast, for trespass and the theft of a rose—but he will spare the old man’s life if he sends one of his daughters: “Your daughter would take no harm from me, nor from anything that lives in my lands.” When Beauty hears this story—for her father had picked the rose to bring to her—her sense of honor demands that she take up the Beast’s offer, for “cannot a Beast be tamed?”


McKinley is proving to be a “me” author.  I like her prose, I like her stories, and I fly through her books in record time.  I got through Beauty in one sitting during Dewey’s Readathon and it made for a wonderful morning.  I was surprised to see that this is McKinley’s first novel, released some 25 years before Sunshineas there’s little “hi i’m an early novel” awkwardness.

The cover says this is a retelling of Beauty and the Beast, but I think it’s a straight up telling.  There’s nothing terribly new or exciting but the story kept me interested and engaged throughout. I was hoping that tropes would be pushed a little more than they were, though.

Case in point – early on Beauty ruefully says that for someone with her name she is rather homely looking.  Beast thinks her beautiful, though, and when she protests the point he says,

“You will find no mirrors here, for I cannot bear them: nor any quiet water in ponds.  And since I am the only one who sees you, why are you not then beautiful?”

Beauty is in the eye of the beholder!  Unconventional heroine!  Huzzah!  I was cheering until the end, where the castle’s magic gave her conventionally pretty looks and made her seven inches taller.  Ah, well.

I would have liked Beauty even more if I were a full on YA person, but even so it was an enjoyable ride.

The Weaver by Emmi Itäranta

26198181Eliana is a model citizen of the island, a weaver in the prestigious House of Webs. She also harbors a dangerous secret—she can dream, an ability forbidden by the island’s elusive council of elders. No one talks about the dreamers, the undesirables ostracized from society.

But the web of protection Eliana has woven around herself begins to unravel when a young girl is found lying unconscious in a pool of blood on the stones outside the house. Robbed of speech by her attackers, the only clue to her identity is one word tattooed in invisible ink across her palm: Eliana. Why does this mysterious girl bear her name? What links her to the weaver—and how can she hold Eliana’s fate in her hand?


I picked up The Weaver thinking it was perfect for Women in Translation Month… but it looks like the author rewrote her own book in English, so I don’t think it counts.

Things starts off great – an interesting world doled out in manageable chunks!  An easy-to-like character that’s caught up in Happenings!  A mystery with a sure to be gruesome villain!

But as much as I like the beginning the book stalls.  It’s not the plot, exactly, or the character development, but the lack of love given to the world they’re inhabiting.  The what is lovingly explained, but Eliana’s lack of interest in the why means we don’t get many answers.  Who are the people who came to this island, and what drove them to make such segregated groups?  Why does the council have such power, and where did that power come from?  Ships travel between the island and other places, so what holds the inhabitants here?  And so on.  The ground level world building is solid enough, but there’s little added to that foundation.

I like that there’s a main female/female relationship and the fact that it’s f/f doesn’t raise any eyebrows. A side character is gender queer/fluid/trans, perhaps, but it’s barely examined so I don’t want label them.

While the set up and idea are interesting when more depth is required we find ourselves stuck in an ill-woven web.

The Bear and the Nightingale by Katherine Arden

25489134At the edge of the Russian wilderness Vasilisa spends the winter nights huddled around the embers of a fire with her beloved siblings, listening to her nurse’s fairy tales. Above all, she loves the chilling story of Frost, the blue-eyed winter demon, who appears in the frigid night to claim unwary souls. Wise Russians fear him, her nurse says, and honor the spirits of house and yard and forest that protect their homes from evil.

After Vasilisa’s mother dies, her father goes to Moscow and brings home a new wife. Fiercely devout, city-bred, Vasilisa’s new stepmother forbids her family from honoring the household spirits. The family acquiesces, but Vasilisa is frightened, sensing that more hinges upon their rituals than anyone knows.

And indeed, crops begin to fail, evil creatures of the forest creep nearer, and misfortune stalks the village. All the while, Vasilisa’s stepmother grows ever harsher in her determination to groom her rebellious stepdaughter for either marriage or confinement in a convent.

As danger circles, Vasilisa must defy even the people she loves and call on dangerous gifts she has long concealed—this, in order to protect her family from a threat that seems to have stepped from her nurse’s most frightening tales.


I haven’t read much straight up adult fantasy lately and this books reminds me – why the hell not?! Reading like a grown-up fairy tale, The Bear and the Nightingale wove its spell around me just when I wanted to get away from the world.

So much is satisfying – the prose is weighty in the right places and beautiful throughout. The story could feel segmented but holds together well, having a cohesive instead of episodic feel. And perhaps above all, Arden trusts the reader. There is no semantic break down of character nicknames; we figure them out for ourselves. Plot threads are put aside until they are needed instead of being needled to death. If there is a romance it’s a super slow burn… I love slow burns! And while there’s a solid ending it leaves the door open for more books. Once I finished I learned it’s going to be a trilogy – callooh! Callay!

A strong recommendation for anyone who loves fantasy, especially for those who are looking for more than YA can offer. I’m excitedly looking forward to the next installment.

Everneath by Brodi Ashton (Everneath #1)

9413044Last spring, Nikki Beckett vanished, sucked into an underworld known as the Everneath. Now she’s returned—to her old life, her family, her boyfriend—before she’s banished back to the underworld . . . this time forever. She has six months before the Everneath comes to claim her, six months for good-byes she can’t find the words for, six months to find redemption, if it exists.

Nikki longs to spend these precious months forgetting the Everneath and trying to reconnect with her boyfriend, Jack, the person most devastated by her disappearance—and the one person she loves more than anything. But there’s just one problem: Cole, the smoldering immortal who enticed her to the Everneath in the first place, has followed Nikki home. Cole wants to take over the throne in the underworld and is convinced Nikki is the key to making it happen. And he’ll do whatever it takes to bring her back, this time as his queen.


Complicated feelings about this one.

The good:

  • A mythology-based story that I don’t want to throw against the wall! This is super rare.
  • The plot was pretty interesting, and the world has been thought out. Things stay pretty consistent… but are not sufficient. More on that below.
  • I like love triangles in general (don’t hate!) and this one is particularly well balanced. The good guy/bad guy roles are stereotypical (high school football star vs rock musician dressed in black) but the affection each has for Nikki shines through.

The not-so-good:

  • While the world is thought out I had a bunch of niggles and questions that aren’t addressed. If Feeding fuels an Everliving for 100 years, why does Cole feel so drained within a year of topping up? It seems like everyone Feeds at the same time so all kinds of Everlivings on the Surface, as well as the people they Feed on, disappear from Earth at once. Wouldn’t that sudden spate of missing persons cases get noticed? What is the point of letting Forfeits return for an arbitrary six months? And so on.
  • On a similar note, the characters’ motivations are muddled or unclear.
  • The book could have done with a better edit. It felt like people jumped around in their actions – like someone sitting is somehow lying in bed half a page later. I didn’t spend time dissecting but it was still there.
  • The writing didn’t get in the way but it didn’t add anything to the story, either. The prose is simple, even for YA.
  • Each section starts off mentioning not only a time reference (good as the plot bounces around) but also a wholly unnecessary place reference. From chapter nine:

My bedroom. Four months left.

“Time’s flying for you, Nik.” Cole was sitting in the darkest corner of my bedroom….

  • I don’t remember a single person of color or minority character of any sort. It’s set in Utah so my hopes weren’t high, but still.

I don’t see myself continuing the series as the jacket copy for the next two books tells me pretty much everything I want to know plot-wise. I would like to read Ashton in another context, and am excited to see she’s one of the authors of My Lady Jane. It’s currently on hold at my library, so hopefully it’ll arrive before too long….

Love and Gravity by Samantha Sotto

31564042Andrea Louviere is seven years old the first time he appears. While she’s alone in her bedroom, practicing her beloved cello, the light shivers and a crack forms in the wall. Through the crack, she sees a candle, a window, a desk—and a boy. Though no sound travels through the wall, the boy clearly sees Andrea, too. And then, just as quickly as it opened, the crack closes, and he vanishes.

Over the years, summoning the bright, magnetic boy becomes something of an obsession for Andrea. Then, on her seventeenth birthday, she receives a three-hundred-year-old love letter from Isaac Newton. Andrea knows that Isaac will change the world with his groundbreaking discoveries; the letter tells Andrea that she will change him.

As Isaac’s letters intensify in passion and intimacy, Andrea grows determined to follow his clues to their shared destiny—despite a burgeoning romance in the present. Only when she discovers the way into Isaac’s time does Andrea realize that she faces a heartbreaking decision: between what was . . . and what might be.


I loved and was flummoxed by this book in turns but it always, always kept me reading.  I finished it in less than 24 hours so while I have Things to say know that Love and Gravity is hard to put down.

Also be rest assured that I’m not going to spoil anything… here.  If you’d like to read a more detailed, spoiler-filled version of this review head over to the goodreads version where I give those spoiler tags a run for their money.

Now that that’s out of the way…

~takes a deep breath~

Wow.  What a book.

The good:

  • Time travel and time slip plots can get hairy as far as sequence of events go, but Sotto keeps events mostly on the rails. (Caveats below.)  Each chapter starts by telling us which character we’re following, Andrea or Issac, and places them in time by date and/or age.  In the narrative we’re reminded which years are important, so even when the chronology jumps around we can keep things basically straight.
  • The cast is small so there aren’t too many people to keep track of.  We watch them all grow over time in strikingly realistic ways.
  • Yea for epistolary (ish) novels!
  • If you don’t know much about Issac Newton’s life you’ll find yourself going down delightful wikipedia rabbit holes out of curiosity.
  • Even when things are crazy, even when you’re yelling “What?” and “How?!” at the pages, you will be compelled to read on.
  • Do you need a cathartic cry?  I hope you need a cathartic cry.

The neither-good-nor-bad:

  • This is a novel with a romance, not a romance novel.  If you know what that means then you know what I mean.

The not-so-good:

  • Anachronisms, we haz them.  Spoken British English in 1666 sounds a bit too close to modern American speech for my liking.  There are others but they have to go in the spoiler-ful review.
  • The curse of working in medicine is finding medical goofs in novels.  Won’t bother everyone, I’m sure, but I had to put down the book and vent to my partner before continuing.
  • Events and sequencing get more complicated by the end and I have the feeling that if I looked I would find something that doesn’t check out.  Sotto earned just enough of my trust for me to gloss over inconsistencies, and man there are a lot of balls in the air, but the nagging feeling that something is wrong won’t go away.
  • The whole book stemmed from a plot bunny in a chest, and at times it feels like revisionist history. Andrea is can be seen as a wish-fulfillment Mary Sue – Newton was a great guy and never got married, so let’s go back and put a woman in his life!
  • An apple or gravity reference is cute once or twice but there are so. many. I couldn’t stop rolling my eyes.

In sum my reading experience went like this:

Beginning – Ooo, interesting!  Tell me more.
Third of the way through – I’m not sure I’m on board but I want to see how you manage this…
Halfway point – Hello, anachronism.
Middle-ish – I saw this coming but what the hell was that?!
Last few chapters – ~sob~ No, I’m fine, it’s just that… ~sob~
End – ~runs to write review posthaste~

Every Heart a Doorway by Seanan McGuire (Wayward Children #1)

25526296Children have always disappeared under the right conditions; slipping through the shadows under a bed or at the back of a wardrobe, tumbling down rabbit holes and into old wells, and emerging somewhere… else.But magical lands have little need for used-up miracle children.

Nancy tumbled once, but now she’s back. The things she’s experienced… they change a person. The children under Miss West’s care understand all too well. And each of them is seeking a way back to their own fantasy world.

But Nancy’s arrival marks a change at the Home. There’s a darkness just around each corner, and when tragedy strikes, it’s up to Nancy and her new-found schoolmates to get to the heart of the matter.

No matter the cost.


This book is the perfect way to get out of your brain and set aside the world for a time. It will only be a short while but oh, how wonderful it is.

Eleanor West’s Home for Wayward Children is for children who have slipped away into different worlds. Some went to fairy lands that are akin to Alice’s Wonderland. Others visited darker places, or weirder places, or places that weren’t happy to see them. For various reasons they have returned to the real world, and many would do anything to find that door out once again.

The story is short with a simple whodunit at its core. But, much like Palimpsest, I wasn’t here for the plot. The various words described are intriguing and I want to know more about them. The characters are simply drawn but still deep and flawed and human. I especially love how the main characters cover a full range of gender and sexual identities.

And the writing! Overall it’s not difficult, pitched at the lower end of YA with a few expletives thrown in, but McGuire pops in observations that make you gasp and say “Yes, this”.

Call it irony, if you like, but we spend so much time waiting for our boys to stray that they never have the opportunity. We notice the silence of men. We depend upon the silence of women.

Some are like life lessons:

We don’t teach you how to dwell. We also don’t teach you how to forget. We teach you how to move on.

So good. As much as I loved this book, though, there are some things I would change. First, I wish it were longer because 1) I’m greedy and 2) a subplot would have helped round out the narrative. The plot felt thin for a world this rich and well thought out. Second, the characters annoyed me with their obsession for categorizing the worlds they visited. The basic classification is interesting and helpful, but the characters’ preoccupation with it drove me nuts. Granted, this has parallels with the real world (pigeonholing, stereotyping) but still. Grah.

I’m excited to see that this is the first in a planned series – I can’t wait to return to McGuire’s world.