Stop me. Please.
Three words scrawled in bloodred wine. A note furtively passed into the hand of a handsome stranger. Only death can free Mio from his mother’s political schemes. He’s put his trust in the enigmatic Rhodry—an immortal moon soul with the power of the bear spirit—to put an end to it all.
But Rhodry cannot bring himself to kill Mio, whose spellbinding voice has the power to expose secrets from the darkest recesses of the heart and mind. Nor can he deny his attraction to the fair young sorcerer. So he spirits Mio away to his home, the only place he can keep him safe—if the curse that besieges the estate doesn’t destroy them both first.
Content warnings for fantasy violence, suicide, mind control, and homophobia.
What a ride!
- We have nonbinary protagonist Mio (he/him pronouns) and immortal Rhodry (male) together as a couple, written by a nonbinary author. Hell yes.
- There’s a major power imbalance between the two, but it’s handled with care. Rhodry checks in with Mio often, makes sure he doesn’t feel forced in any way, and backs out of some situations where he fears consent may be freely given, even if only in part.
- The relationship is incredibly sweet overall. I’m a fan of these two.
- There’s more than the romance, though – a lot of plot is going on. The world is vaguely European and teeming with fantasy elements. There are mages and moon souls, ghosts and bear shifters. Political machinations? Yup. Family drama? You bet. A pivotal scene that takes place at an opera house? Check!
- The happy for now ending satisfies and excitement looms on the horizon.
- Worldbuilding is easier, I think, when you start with a small scene and expand out in the world. Here the world starts kinda big and focuses down on events in a single house over time. It’s jumping in the deep end, and I’m not sure it’s the most successful.
- The fantasy elements feel like a hodge podge that don’t quite gel together, at least not in this first book. I can see it working on a series level, but having so many supernatural beasties from the start is a lot to take in.
- There’s a bit of talk about dying to be with someone, which makes sense in a world where ghosts are real, I guess, but it may still rub you wrong if you’re not into it.
It took me a while to wrap my head around the plot and characters, but once I was immersed I couldn’t put the book down. I’m super curious to see where Peterson takes the story next now that the worldbuilding and important relationships have been fleshed out.
Thanks to Carina Press and Netgalley for providing a review copy.