Ada begins her life in the south of Nigeria as a troubled baby and a source of deep concern to her family. Her parents, Saul and Saachi, successfully prayed her into existence, but as she grows into a volatile and splintered child, it becomes clear that something went terribly awry. When Ada comes of age and moves to America for college, the group of selves within her grows in power and agency. A traumatic assault leads to a crystallization of her alternate selves: Asụghara and Saint Vincent. As Ada fades into the background of her own mind and these selves–now protective, now hedonistic–move into control, Ada’s life spirals in a dark and dangerous direction.
Trigger warnings for abuse, rape, self-harm, self-destructive behavior, disordered eating, and suicidal thoughts and actions.
I went into Freshwater, my first read for the semifinal round of The BookTube Prize, with little information. My friends loved it but were cagey in their reviews.
I’m going to join their ranks.
- The writing is beautiful in a lyric, understated way.
- I enjoy watching all these personalities, Ada and the spirits, rub against each other and unsettle each other. Many take turns as narrators, allowing the narrative to slip backwards or forwards in time in a seamless way. I’ve read a bunch of books that do this poorly, but it’s a great device when used well, like here.
- It took me a while to get into the story, especially as I felt the narrators out. But once I did, wow. I read the last 40% in one sitting because I couldn’t put it down.
- We see the legacy of abuse and how trauma experienced as a child can shape you.
- Ada shares traits with the author, and it feels like a deeply personal story.
- Emezi slowly cracked open my mind so a reality that I never imagined could pour in. They patched me up when they were done, and I’m a better person for it.
- Nothing major or of particular note.
I am more than excited to read more of Emezi’s writing. They have a YA fantasy coming out this fall and more books in the pipeline – I can’t wait.