Although beautiful young widow Phoebe, Lady Clare, has never met West Ravenel, she knows one thing for certain: he’s a mean, rotten bully. Back in boarding school, he made her late husband’s life a misery, and she’ll never forgive him for it. But when Phoebe attends a family wedding, she encounters a dashing and impossibly charming stranger who sends a fire-and-ice jolt of attraction through her. And then he introduces himself…as none other than West Ravenel.
West is a man with a tarnished past. No apologies, no excuses. However, from the moment he meets Phoebe, West is consumed by irresistible desire…not to mention the bitter awareness that a woman like her is far out of his reach. She’s the daughter of a strong-willed wallflower who long ago eloped with Sebastian, Lord St. Vincent—the most devilishly wicked rake in England.
West has been developing as a character over the entire course of the Ravenel series so I was excited to see that he is the hero of book five. He’s become an awesome guy and deserves a happily ever after! While Devil’s Daughter is a solid romance in the Kleypas mold I was hoping West’s story would be my favorite of the bunch, but alas.
- Kleypas has been writing historicals for a long time and she knows what she’s doing. No major problems with the plot and the characterization is good, making for a solid read.
- There are many cameos of characters from previous books, both in the Ravenel series as well a her previous Wallflower series. She succinctly reminds us who each person is and no one overstays their welcome, and there’s a nice balance between old and new that didn’t stress me out.
- Yea for fun banter! I think I like West and Phoebe together best when they’re in this mode, especially the quips over dinner. There’s also a lovely rejoinder to the all to common line, ‘I don’t deserve him/her’ that will stick with me.
- Phoebe has two small children and they act like children. The one year old is most notable for overturning his applesauce and making a mess, and the preschooler is most interested in playing in the river. No plot moppets here!
- Part of the non-romance plot revolves around how farming was changing and becoming more technological. Some people wanted to continue the way they always had, but West is committed to changing with the times.
- Phoebe’s dead husband isn’t villainized, nor is their love put forward as something less than the love between Phoebe and West. They’re merely different, and it tickles me that the book asserts that a person can have more than one “true love” in their life. It’s lovely to see.
- While the kids weren’t plot moppets a cat was used as one. Cute as all heck, moved the plot along… and was never mentioned again once it served its purpose. Gah.
- I’m done with the trope where a kid is timid around people in general, but gloms onto the love interest because fate. ‘Normally my son’s shy around strangers, but he’s crawling all over the guy I like!’ Sigh.
- The main conflict starts as stated in the jacket copy, with Phoebe deciding she hates West before he even meets him. It resolves quickly enough then transitions to West worrying that his sordid past will be used against Phoebe’s sons if they get married. Each conflict is fine on its own but they’re not linked together very well, making for some disjointedness.
Devil’s Daughter is another solid book from Kleypas, but considering that I had such high hopes for West’s story I can’t help but feel a bit disappointed. Hello Stranger is still my favorite Ravenel book, no question.