“Let the wicked be ashamed, and let them be silent in the grave.”
These ominous words are the last threat that Sir Edward Grey receives from his killer. Before he can show them to Nicholas Brisbane, the private inquiry agent he has retained for his protection, he collapses and dies at his London home, in the presence of his wife, Julia, and a roomful of dinner guests.
Prepared to accept that Edward’s death was due to a long-standing physical infirmity, Julia is outraged when Brisbane visits and suggests that her husband was murdered. It is a reaction she comes to regret when she discovers damning evidence for herself, and realizes the truth. Julia presses forward, following a trail of clues that lead her to even more unpleasant truths, and ever closer to a killer who waits expectantly for her arrival.
My part of Japan has been buffeted by tons of typhoons this season. In anticipation of yet another worrying night I started Silent in the Grave and it was just the escapism I needed.
- World building is here and in spades as Raybourn builds out a corner of Victorian London for us. We don’t see a wide swath but we are shown is well crafted and interesting.
- The writing grabbed me from the first line.
To say that I met Nicholas Brisbane over my husband’s dead body is not entirely accurate. Edward, it should be noted, was still twitching on the floor.
- This combination of world building and just-my-style writing made this the perfect escapist read. What, is that a typhoon howling outside? Sorry, I can’t hear it, we’re on the hunt for a killer!
- As you can see in the chart by my estimation it’s a setting-heavy novel, and they are so rare!
- It’s a very feminist tale at heart. Some people have gripped about it being unrealistic or too much for the times, but in our year of 2018 I will take whatever feminist escapism I can get, thank you.
- There are topics I’ve rarely seen broached in lighter historical fiction, like (happy!) lgbtqia+ folx and flattering depictions of the Romani.
- I didn’t have a firm idea who the killer was… but then again, I never do.
- The espousing of feminist values will be too much for some. Likewise, historical sticklers will be shocked that a Lady had a conversation about xyz with her brother/servant/whomever.
- If you know a lot about the Victorian era some parts may feel over-explained.
- The plot has a bunch of moving parts and there are many characters to keep straight. It didn’t bother me but it may irk some.
- If you’re looking for a straight up mystery with lots of investigating you’ll be disappointed. This is a bit more holistic. As I keep saying, it was fine by me but others may not care for it.
- Lady Grey doesn’t always make the most logical decisions. In fact, she makes a bunch of poor ones, things you can see are wrong off the bat. A couple of them made me sigh but it was never enough to keep me away from the page.
If you’re interested in this book the best advice I can give is to hunt down a sample of the first chapter. If you’re smitten rock on, but if it leaves you wanting you may want to look elsewhere. Personally I can see the flaws but the world and escapism mixed with mystery made this the right book at the right time. I’ll definitely be reading the next one on a long flight or during a period of exceptionally bad existential angst.