Translated by Elisabeth Jaquette
In a surreal, but familiar, vision of modern day Egypt, a centralized authority known as ‘the Gate’ has risen to power in the aftermath of the ‘Disgraceful Events,’ a failed popular uprising. Citizens are required to obtain permission from the Gate in order to take care of even the most basic of their daily affairs, yet the Gate never opens, and the queue in front of it grows longer.
Citizens from all walks of life mix and wait in the sun. Among them is Yehia, a man who was shot during the Events and is waiting for permission from the Gate to remove a bullet that remains lodged in his pelvis. Yehia’s health steadily declines, yet at every turn, officials refuse to assist him, actively denying the very existence of the bullet.
Ultimately it is Tarek, the principled doctor tending to Yehia’s case, who must decide whether to follow protocol as he has always done, or to disobey the law and risk his career to operate on Yehia and save his life.
Authoritarianism has been on my mind lately and The Queue is a fascinating way to approach it in fiction. What struck me the most is how people can and do adapt to almost anything. Need an eye exam? Wait in this line so you can get a document allowing it. No, the line is not moving – it will when the Gate opens. Please wait.
So they do.
It’s a reminder that human resilience is a double edged sword – while it allows us to get through horrific things, we can also put up with far more than we should.
I will admit that I had a hard time getting into the story, probably because I was reading in short bursts. With longer reading sessions I became more interested, wondering what the heck is going on and how it all will end.
While the setting and circumstances are a far cry from the current situation in the US every now and then a passage startled me, hitting too close to home.
He wrote a hard-hitting and well-researched article about the [boycott] campaign – its grounds and implications, and how many people joined each week – but the newspaper didn’t print it. Instead, they gave him a stern warning about “fabricating the news.”
I would recommend The Queue if you like literature in translation, dystopia, and don’t mind a healthy dose of uncertainty. It’s not a breezy read but it has given me a lot to think about.