Night Film by Marisha Pessl

Synopsis:

10112885Everybody has a Cordova story. Cult horror director Stanislas Cordova hasn’t been seen in public since 1977. To his fans he is an engima. To journalist Scott McGrath he is the enemy. To Ashley he was a father.

On a damp October night the body of young, beautiful Ashley Cordova is found in an abandoned warehouse in lower Manhattan. Her suicide appears to be the latest tragedy to hit a severely cursed dynasty.

For McGrath, another death connected to the legendary director seems more than a coincidence. Driven by revenge, curiosity and a need for the truth, he finds himself pulled into a hypnotic, disorientating world, where almost everyone seems afraid.

The last time McGrath got close to exposing Cordova, he lost his marriage and his career. This time he could lose his grip on reality.

ONCE WE FACE OUR DEEPEST FEARS, WHAT LIES ON THE OTHER SIDE?

Review:

The last thing I want to do is spoil anyone so please excuse any vagueness or odd hand waving. Hopefully those who have read the book will know what I’m getting at.

Like any good mystery we start off with a bunch of intriguing questions – was Ashley’s death really a suicide? Who is this reclusive Cordova guy, anyway? And what kind of guy would make such twisted films?

The (non-spoilery) good stuff:

  • The backstory. Pessl obviously put a ton of work into Cordova’s filmography and it shows. I was worried that with a dozen or so film titles being thrown around I would get confused but there was always ample context.
  • How the arc of the book as a whole mirrors… something else. While some might be annoyed with the end I thought it was fitting, especially how it related to… that something else. ~shakes a fist at the spoiler-free sky~
  • Cordova’s philosophy. I can’t say I agree with it, but it’s intriguing and made me think about how I’m living my own life. Not to mention that I need to read a certain poem now.
  • Most of the characters are on the “unlikeable” side of the scale but they didn’t make me want to throw the book across the room. All have their own motivations (however twisted) and it works.

The (zero spoiler) not-so-good stuff:

  • In the first half of the book question after question is raised but precious few are answered, and around the 50% mark I started to lose interest. Why should I keep reading if it just digs me deeper into a hole? Near the end things picked up and gave me some stuff to think about but it was a struggle to get there.
  • The extras available through the “decoder” app. A couple were neat (a filmography, primary documents) but some were maddening. An interview with a murderer was especially bad, because…
  • …the interview is poorly written. The questions sound like they’re being read in order, no matter what the subject says. The murderer in particular leaves all these juicy tidbits hanging in the air, begging for follow up, but the interviewer just goes to the next question on her list. Maybe I’ve been spoiled by Terry Gross but it was beyond annoying.
  • The voice acting in the app left much to be desired. It sounded like reading, not acting out a part.

Overall it was an interesting read that left me thinking but sadly it didn’t live up to the hype.

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